Congratulations to all of the amazing clubs, societies, publications and performances who have been recognised in this year's Arts Awards!

The 2026 winners

Original and Innovative Work Award

Hannah Stanley – Billy & Co

As a collaboration between artsUCL and Slade School of Art, Billy & Co. was an original piece of writing that experimented between the lines of fine art and theatre.

Billy & Co. focused on experience of being autistic, subtly showing to the audience the neurodivergent mind. To further inclusivity, an audio described script was also prepared to support visually impaired audience members.


Outstanding Contribution to the Arts

Ronan Venkat

Ronan has made exceptional contributions to music and performance throughout his time at UCL, becoming a central figure across Musical Theatre, Live Music and Jazz Society.

Ronan has consistently contributed to productions, including Shrek: The Musical, Rhapsody 2025, Synthposium, and numerous Jazz Society performances. As Musical Director, he has shown leadership and commitment, supporting both performers and production teams through rehearsal and performance processes. His work on Shrek helped deliver three sold-out performances at the Bloomsbury Theatre, while his conducting and arranging work for Rhapsody 2025 showcase showed huge amounts of creativity and skill.


Best Bloomsbury Theatre Production

Sister Act

In the funky, soul-filled world of 1970s Philadelphia, struggling singer Deloris witnesses a crime. Placed in a convent under witness protection – complete with quirky nuns, gangsters on her trail, and zero idea of how to behave, Deloris quickly discovers a new purpose as she transforms the tone-deaf convent choir into a renowned show-stopping gospel sensation that’s truly second to nun. 

This high-energy production brought big laughs, bigger voices and a pack of dancing nuns in an ultimate feel-good, holy rollercoaster of a musical. Well done to Sister Act!


Best Bloomsbury Studio Production

The Rise and Fall of a Midwest Princess

Presented by UCL Live Music Society, this all-standing, high-energy experience brought dazzling costumes, rich harmonies, and a space where queer joy reigned supreme. Whether you were belting every lyric or dancing with strangers-turned-besties, this was not just a Studio show - it was a party, with the best vocalists and musicians Live Music Society has to offer.


Best Production Design

Spamalot

Designing Spamalot was a challenge from the beginning; it required a huge castle with multiple levels, numerous costume changes, and large, moving set pieces that came on and off the stage. The key to the design's success was collaboration; starting months in advance, the team worked together to create the camp, bright, and comical energy that is central to Spamalot!  The process wasn’t without challenges, but they problem solved together to create a visually impressive project.


Best External Production

Next to Normal – Musical Theatre Society

Next to Normal dealt with themes of mental health, grief, and trauma with empathy and sensitivity.  Through design, performance, and sound, the emotional complexity of the piece was clearly and carefully conveyed. The production embraced the rock musical form by placing the band on stage, integrating them into the storytelling. Costume design carefully tracked character psychology, a rostrum doubled as both bedroom and band space, and a table transformed into a hospital bed, allowing for fluid storytelling. Lighting design was also vital in the reshaping of these spaces; from intimate domestic settings to hospital rooms.


Commitment to Inclusivity Award

Dance Society

Dance Society has significantly strengthened its commitment to accessibility, diversity and inclusion in 2025/26 through new leadership roles and inclusive programming.

This year, for example, they introduced the role of Diversity and Inclusion Officer to lead initiatives and support underrepresented groups, working on campaigns such as BSL dance workshops. A major success has been the “Absolute Beginners” classes, offering free or low-cost weekly sessions for newcomers with no dance experience. These have proven highly effective with over 300 tickets sold. These sessions have improved the confidence levels among attendees, with many of them progressing into regular classes.


Volunteering Arts Society of the Year

Dance Society

Dance Society offers a strong programme of volunteering and charity work that connects members with local community impact and wider fundraising efforts.

A key initiative is DanceIt!, a weekly student-led volunteering project at Holborn Community Association, where members teach inclusive beginner dance classes to adults aged 55+. The sessions support both physical and mental wellbeing and are carefully adapted to include participants with a range of access needs, including dementia, visual impairments, and mobility differences. The project also helps student volunteers develop skills in inclusive teaching and disability awareness. This year, engagement has grown significantly, with higher attendance from seniors and increased student volunteering, supported by funding that also enabled participants to attend a Dance Society performance.


Event of the Year

RAX x Jazz Society: MSF Charity Event – Jazz Society

You don't often see a jazz band and a running club teaming up, but Jazz Society and Running, Athletics, and Cross-Country Club pulled it off for this Medicins Sans Frontieres (Doctors Without Borders) fundraiser.

The scale of the event was huge, bringing the full UCL Big Band and Jazz Choir into one of the main campus rooms for a massive inter-society social and fundraiser; different groups came together to support an amazing cause. This ambitious event created a unique and exciting buzz around campus, bridging the gap between the arts and sports.


Arts Society of the Year

Stage Crew Society

Stage Crew has worked harder than ever this year to transform the experiences of students at UCL. This year, the society has helped build bigger sets, rig more ambitious lighting and sound rigs and in general take the productions this year to a whole new level.

Alongside their amazing support on productions, Stage Crew have worked hard on developing their training offer, making it easier for new members and to create an even more sustainable and accessible society.


Arts Personality of the Year

Aran Baskar

Few people have had a greater or more wide-ranging impact on the artsUCL community this year than Aran Baskar. His contribution has not been limited to one society, role, or activity; he has been a constant presence as a leader, technician, collaborator, mentor, and source of support.

As President of Stage Crew, Aran has played a central role in enabling arts activity across UCL. Stage Crew has supported over 120 shows across UCL and Fringe this year, working with around 15 societies, and Aran has been at the heart of making that happen. He has been involved in almost every show, especially in the Bloomsbury Theatre and Studio, helping to organise productions, support crews, solve problems, and ensure everything runs smoothly. Much of this year’s activity has depended on his time, judgement, and labour.

His range of activity this year has been extraordinary, working across productions from stagehand to lead crew, including major shows like Rhapsody, while also directing and producing Fringe shows. He has helped develop others through training and workshops, contributing to Stage Crew’s growth.

Above all, he has helped make the community more collaborative, ambitious, and supportive.


Honorary Lifetime Membership

Tom Hughes

Throughout his four years at UCL, this student has been a constant and welcoming presence across campus. Alongside his studies, he has dedicated countless hours to rehearsals, productions, meetings, society events, and Students’ Union bar shifts to support the wider student community.

His impact across artsUCL has been significant. He has crewed over 100 productions, held leadership roles including Interim President and Bloomsbury Theatre Officer of Stage Crew Society, and trained and mentored numerous students in technical theatre. He played a key role in improving welfare, accessibility, and collaboration across productions, while helping deliver one of the Bloomsbury Theatre’s busiest and most successful seasons

Commendations
Aadi Rana
Aarohi Vira
Abbie Wong
Albany Maddison 
Apiraami Kirthikaa Manivannan
Archie Jaques
Arhan Kothari
Athena Yeh
Auriane Milot
Ben Smith
Benson Zhou
Charis Cheung
Charlie Raven
Dean Phua
Diego Aragon
Eliza Tomaszuk
Ella MacLeod
Felix May
Go Kitajima
Kay Lynn Er
Keefer Ho
Kit Lampi
Lauren Chye
Leon Parsons
Liyana Ahmed
Lujain Benatia
Matthew Cheung
Nychole Kwan
Oliver Smith
Parn Limwattananon
Roshni Ray
Ruby Gilmore
Rudi Pictor-Wayne
Ryan Lai
Samuel Mok
Sean Awoseyila
Sohan Das
William Read
Yue Yu
Colours
Alfonso Garrido Regalado
Alice Candish
Amara Mughal
Anandika Silva
Andrea Lam
Aristian Karanikolas 
Aryanna Eastwood
Ava Gibson
Beatrice Gordon Clark
Beth Sankey
Caoimhe Thomas
Cassie Wigoder
Danilo Paganelli
Diana Camba
Didi Dergham
Dora Fidler
Eleanor Beacon
Elly Beacon
Elyas Brice
Ethan Poon
Gemma Villoresi
Glenise Ann Ballesteros
Hannah Clarke
Jennifer Baron
Jerry Wang
Johnnie Davis
Kai Shing
Kit Lampi
Kunal Sen
Lauren Pang
Maisie Greening
Nasreen Gill
Nathan Wong
Paula Sarbinska 
Pola Aleksandrowicz
Rahul Kumar
Rania Harryanto
Ricky Zong
Roberto Haubold
Rory Patrick Graham
Sabeer Sawhney
Sara Stemmons
Selma Baalerud
Sofia Masondo
Tumo Reetsang
Yoko Takahashi
Centenary
 Aruanna Sapayeva Levin
Amie Stott
Andrea Chung
Aomi Hiroi
Audrey Lau
Aza Too
Ben Francis
Daniel Smith
Elizabeth McEneaney
Elliott Hollingsbee
Elmeeza Bazillah
Elyas Brice
Eve Edwards
Felix Zombory-Moldovan
Hang Wah Webbe Chu
Harry O'Donovan
Leonardo Cherin
Maira Haris
Matthew Todd
Molly Hanya
Ronan Venkat
Sean Russell
Sophie Johns